Controversial filmmaker Darryl Yap has responded to actress-host Giselle Sanchez after she publicly expressed deep regret for playing the role of former President Cory Aquino in the 2022 film Maid in Malacañang.
In a recent interview on One News’ Long Conversation: The Men’s Room, Giselle opened up about her decision to take on the role, admitting she did not think it through. “Pinagsisihan ko yun,” she said, reflecting on the backlash she received. The actress further explained that she should have considered her background as a magna cum laude graduate of Mass Communications from the University of the Philippines Diliman before agreeing to portray one of the most polarizing political figures in Philippine history. “Di ko inisip, e. Sana inisip ko nga naman na taga-UP ako, sana inisip ko yung bansa ko bago ko tinanggap yun,” she admitted.
Giselle’s statements quickly gained traction online, stirring renewed debate about the controversial film, which focused on the last 72 hours of the Marcos family in Malacañang during the 1986 EDSA People Power Revolution. The film was heavily criticized for allegedly revising historical narratives and for its portrayal of key figures, including Aquino.
Director Darryl Yap, known for his bold filmmaking choices and unapologetic public statements, did not shy away from addressing Giselle’s remarks. In a Facebook post, Yap acknowledged her sentiments, writing, “Naiintindihan ko po ang sentimyento niya, sa totoo lang, naging regret din siya ng production.” He admitted that among the cast and crew, it was Giselle who was most deeply affected by the public backlash.
Yap revealed that he had prepared his team for the potential criticism the film would attract, not only because of its controversial content but also due to his polarizing reputation. “Pinaghanda ko ang mga bubuo ng pelikula—hindi lamang dahil sa Maid in Malacañang ito kundi dahil sa ‘ako’ ito,” he wrote.
He then addressed a specific part of Giselle’s regret—her reference to being a UP alumna and the expectations tied to it. “Ang hindi ko lang gets ay yung ‘Taga-UP ka pa naman bakit tinanggap mo yan’… Bakit? Iba ba ang hangin sa UP?” Yap questioned, criticizing what he saw as selective tolerance from some individuals within the academic community.
Despite the exchange, Yap maintained a respectful tone, stating that he continues to honor each artist’s craft and sees value in both collaboration and criticism. “Mananatili ang aking paggalang sa sining ng bawat isa,” he concluded, emphasizing that being on any industry list—whether liked or disliked—is still a form of recognition.
The controversy highlights the ongoing tensions surrounding historical portrayals in media and the personal consequences faced by artists involved in politically charged projects.